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The place which old Harry O'Dule called home was a crumbling log cabin on the shore of Levee Creek, just on the border of the Scroggie bush. Originally it had been built as a shelter for sheep, but with the clearing of the land it had fallen into disuse. O'Dule had found it on one of his pilgrimages and had promptly appropriated it unto himself. Nobody thought of disputing his possession, perhaps because most of the good people of Scotia inwardly feared the old man's uncanny powers of second sight, and the foreshadowing—on those who chose to cross him—of dire evils, some of which had been known to materialize. Old Harry boasted that he was the seventh son of a seventh son.,

Billy did not follow. Something, perhaps the primitive man in him, cautioned the unwisdom of so doing. From the dim, far-back ages woman has run and man has pursued. But a few wise men have waited.,

"You have been half-starved in that brig," said Captain Acton, searching his daughter's face, and running his eyes over her dress.,

Mr Lawrence sat down alone in the plain little cabin of the Minorca on this the first day of the vessel's sailing, and upon the table were placed by Paul a boiled fowl, a piece of boiled bacon, a round of cold fresh beef boiled, a dish of sausages, and two or three dishes of vegetables. Paul having already received instructions placed a tray furnished for a meal beside his master on the table; and Mr Lawrence cut some fowl and bacon, adding vegetables, and filled a small tumbler with red wine, and then,[Pg 264] stepping to the door of the berth in which Lucy Acton was confined, he almost noiselessly inserted the key and softly shot the latch, and resumed his seat, and Paul, bearing the tray of food, knocked on the door, and receiving no reply entered, and the motion of the ship upon a long, steady heave of swell slammed the door to after him.

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CHAPTER IX MOVING THE MENAGERIE,

On this Captain Acton and his friend went on deck. The schooner was travelling three or four knots one way, and the stranger was heading directly for her at some small pace, so that the speed of the two vessels being combined, the sail might be expected to show a clear hull; which she did, and with the aid of their telescopes, Captain Acton and Sir William confirmed the conjecture of Captain Weaver. She was either a little brig or a brigantine—her after-sails were concealed; her burden was very small. The dusty and rusty complexion of her canvas neutralised the brilliance which most ships' sails shine with when the silver glory of the morning sun pours strong upon them. By half-past nine, three bells by the schooner's clock, the stranger was on the larboard-bow with her main topsail to the mast, and so close that it seemed almost possible to distinguish the faces of her people.,

"I'm right here," he answered.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.